Monday, February 25, 2013

The Music-Related Artwork of William Schaff


Several years back Will Schaff contacted me because he was compiling all of his music-related artwork into a coffee-table friendly collection, and wanted written contributions from all the musicians he had worked with. I happily wrote my piece, and several years later I heard from Will again, this time asking for my address, which I duly gave him. Nine months later a package arrived for me – today in fact. In it was probably the single most beautiful artefact I have ever been given. 'From Black Sheep Boys To Bill Collectors' is an exquisite full-colour hardback collection of his music-related works along with 'Autumn Bird Songs' an exclusive eight track green and white marbled 10” vinyl record by J. Molina (Songs: Ohia), written and recorded specially to accompany the book. The whole package is published and printed by Graveface Press, and my eyes water at the thought of how much it must cost to produce something of such beauty. The hardback is exquisite, and I lack the technical vocabulary to describe it accurately, but the fine matte paper sleeve protects a fabric textile covered binding with a mysterious debossed silver insignia on the front cover, and the vinyl slides out of a large paper envelope fixed on the inside back cover. It even smells elegant. If you love beautiful things I urge you to checkout the Graveface webshop; if you can't afford to shell out for the hard copy, a PDF & mp3 bundle version will give you at least half the joy for a fraction of the price. Will always slips little extras into any thing he posts you; this time I received a single piece of a jigsaw puzzle, a page torn from a random paperback and his new “G.G. Allin Kid's Activity & Colouring Book”, (#2 of 14 copies) which is so deeply wrong it made me really hurt from laughing. I want to scan some of it in and show the world but I’m not sure it's wise. Actually no- I’m sure it's not wise. Perhaps you will be able to find some of it on Will's Flickr page...You probably don't know that you probably know Will's artwork. Reprinted below is my piece from the book, which explains why.

***
A few years ago I promoted a show for a band called The Iditarod, at the Cube Cinema, in Bristol, England. In the foyer, the drummer was displaying and selling copies of his own paintings, sketches and collages. Looking through them I noticed a piece familiar to me from a Godspeed You Black Emperor album. “Oh so you’re that guy!”. He was that guy. People leafing through the prints were saying “God, this stuff is really dark”. This was true but I found myself thinking “this stuff is hilarious”. In a single frame he had offered the most perfectly searing satire on the post-9/11 American psyche. A man dressed in Twin Towers merchandise furiously masturbates his missile-penis in front of a television. Corpses spew from the screen and he holds his fist aloft with righteousness.

But Will also drew strange but charming and affectionate pictures of dogs he had seen in the local park. On tour around the New England area, Will had a photo of his own beloved dog on the dashboard, to which he had glued a patch of her hair. Other works occupied the space between these two extremes. Recurring themes, characters and symbols allow us to peak in on an internally coherent alternative world. By rendering our mortal concerns in a vulnerable, almost comic book style, the issues are inescapable, jolting us out of our desensitized world-view. Cartoon people aren’t meant to get raped and murdered.

Not long after, an album of mine called Flashlight Seasons was due for release. Will listened to the album and came up with three pieces. We settled on a startling red and black image of a strange quadraped figure plodding through a forest, a parasitic twin piggy-backing him like a malignant growth. Marching alongside is a family of origami chickens. This bewildering tableaux of suggestions fitted the album perfectly.

The next album was called Black Holes in the Sand. The title track featured the lines
I held the hand that threw the stone that killed the bird that woke the city/and I could not feel the flower in my hand”. Will randomly emailed me, and as ever, attached a piece he happened to be working on. It was a red and white paper cut of a bird of prey perched on a flowering branch. Will had yet to hear the record. This was Jungian Synchronicity at its most irrationally compelling. Will’s world was making the decisions now. Like the perfect servant, it knew what I wanted before I knew I wanted it.

Songs: Ohia, Godspeed You Black Emperor, The Iditarod, the Eyesores and many others have been captivated by the world of William Schaff. Damn. I wanted it all to myself.

(Written in 2008)

Wednesday, January 16, 2013

Creeping Informality


Joe Kennedy's piece in The Quietus
on “the widespread employment of baby-talk “ raises an issue that I’ve been meaning to write about for a while but hitherto not found a substantive angle. Joe points out that the artist Robert Montgomery indulges in the grating, infantilising language that has become the standard in today's advertising; the advert that claims to know you and know what you want, or worse, to know that you acknowledge it knows what you want, because you both want the same thing; a nicer world, nicer trade, nicer capitalism. You are not customers, you are friends. Intimate friends with identical values. It's absolutely vile. On an Easyjet flight recently I parted with £4.50 for a 'snack box' consisting of two biscuits, a thimble of hummus and a few olives. I had some difficulty ordering it because I refused to refer to it by name. Even typing it makes me cringe - “The Yumble Bumble Snack Box”. I just pointed at the picture; the air steward wasn't able to tell which of the two 'snack boxes' I wanted. So the interaction went “Which one?” “Erm...” “The Yumble Bumble Snack Box or the Feel Good Snack Box?” “The former” “Sorry?” “The first one” “The Yumble Bumble Snack Box?” “Yes”. Urgh. Feel Good. The price alone is a violation, being forced to adopt baby talk is a humiliation too far. They're sodomising me over a barrel and barking “Call me Uncle!!”. Another company guilty of this sickening enforced intimacy is the smoothie manufacturer Innocent. Their smugness isn't restricted to name alone; the packaging is an orgy of vainglory, whimsy, sanctimony and tedious self-celebration that culminates in storage guidelines that refer to the product in the first person: “I like to be kept chilled, and once you've opened me, drink me in a couple of days...” etc etc. They clearly believe this kind of emetic chumminess will break down the barriers and make us forget that we are customers and they are salesmen; that we should somehow be impressed, glad, grateful and indeed rather touched that they've taken the time to get to know us so well. It's part of a wider culture of creeping informality, one where bank managers seem to think it's ok to call me by my first name. Well, how about this for informal: fuck you, Innocent. You're not a kindly face in a cold world of commerce; you're a stranger rubbing up against me on a crowded commuter train for your own gratification. And you are selling fruit. Grow up.

Saturday, January 12, 2013

Dear David and Gideon...



Dear David & Gideon,

I hope you are having a nice day. Actually I don't care. Fuck the niceties, I'll just get to the point.

What a lot of people are wondering is whether you are completely out of touch with ordinary working people, or that you don't care about them. I believe that it is both.

The Toxic Blend: Two Types Of Tory
First, let's look your backgrounds. You are millionaires; as such it is natural that you would want to protect your assets. There are broadly two kinds of Tory. Those like yourselves are so privileged that you have never had any need of the welfare state. You've never had to survive on £71 a week Jobseeker's Allowance, a chunk of which must go towards paying the rent because Housing benefits doesn't cover it. Even with the most imaginative forms of sympathy, you just have no idea what it is like. Sympathy can never be empathy. The other kind of Tory are those like William Hague and David Davis, self-made men from working class backgrounds. Hague and Davis do know what it is like to be poor; however, their ability to empathise is compromised by a tendency to universalise their experience. They are unusual; most people are not highly intelligent, hyper-motivated over-achievers like them, but they don't seem to realise this. Like Margaret Thatcher and Norman Tebbit, the classic working class Tory thinks to themselves “If I did it, why can't everyone else?”. Like the chronic optimist puzzled by the clinically depressed, they just can't relate to the poor and the benefits claimants. These two kinds of Tory form a toxic blend; a class of people who are opposed to the welfare state because they cannot relate to the people it is their to protect.

The 'Big Lie'
The budget provided ammunition to those who argue that you are not uncaring but out of touch. By increasing VAT, a tax that hits the poorest hardest, slashing benefits while simultaneously cutting taxes for the very richest, you rewarded your class whilst punishing the poorest so brazenly that for most people it defied belief. It doesn't take a public relations guru to tell you that this looks bad. Even if there was a possible world in which it was the right thing to do, (there isn't) it looked so bad that only the most myopic would fail to see that it was a suicidal move. But the counter-argument here, from those who argue that you just don't care, is that you were working on the principle of the Big Lie. The idea here is that people would think “Christ, that is so intuitively awful, so crassly wrong, that you MUST know exactly what you are doing. You must be an economic genius who knows something we don't, and this decision is so crucially important for the future of our country that you are prepared to look like an arrogant thieving toe-rag in order to get it done”. The give-away is your use of weasel words like “wealth creators” and “job creators” instead of “the rich”. You use those words because you know how useful they are. This brings us into the real battle ground, the real area in desperate need of scrutiny – the realm of ideology, and the biggest single achievement of this coalition government so far: successfully blaming a crisis of capitalism on the Left.

Myths And Mantras Of The New Hegemony
I've got to hand it to you – you've done an amazing job. With the help of your delivery boys in the media and a Labour opposition too scared to fight back, you've managed to convince virtually the whole country that the economic state we are in is because Labour Spent Too Much. The Right has never had a problem of pandering to the lowest common denominator, never been afraid of underestimating the intelligence of the public, while the historical mistake of the Left has been thinking it could win if only it could get people to follow the logic of its arguments. The Right has a genius for emotive and populist propaganda; this has been it's crowning intellectual and psychological achievement. The following mantras have been so comprehensively tattooed onto the brains of the public that even many with Leftish sensibilities believe them. They are as follows:

The debt crisis is because Labour spent too much; there have to be some cuts, we are all in this together. We are in a debt crisis, and paying back the debt is the number one priority.

As a proportion of GDP, Britain’s national debt has been higher than it is now for 200 of the past 250 years. From 1918 to 1961 the UK national debt was over 100% of GDP. During that period the government introduced the welfare state, the NHS, state pensions, comprehensive education, built millions of council houses, and nationalised a range of industries. The public sector grew and there was economic growth.

Now you want to turn back the clock by dismantling the NHS, comprehensive education and the welfare state.Your are not doing this because the country is on the verge of economic collapse, you are doing it because you are ideologically opposed to public services and the welfare state, and committed to handing over more of our public assets to big business.
Before the 2008 crisis, Labour's spending plans had been matched by the Tories. The sudden huge increase in government debt was caused by the necessity of bailing out the banks; if Gordon Brown hadn't done this, there would have been no money in cash machines. His plan of action was copied by countries the world over. The cause was a crisis of capitalism, due to a poorly regulated global banking industry.

The Household Budget Analogy
A crucial part of the idealogical war that the Right is winning, is the propagation of the Household Budget Analogy. By comparing the UK economy to a household budget you've terrified everyone into going along with austerity. Household debt can be terrifying. But households are not like economies. In an economy, you're spending is my income, and my spending is your income. It is a two sided relationship; a household is one-sided. Economies are dependent on two types of spending; private spending and public (government) spending. As we are in a recession, private businesses don't want to spend; they are wary of investing, they hold onto their money. If governments do not step in and spend, the recession continues. The Right always argues that if government shrinks away, the private sector will automatically fill in the gap, providing the services. This hasn't happened, isn't happening, and hasn't happened historically. What got us out of previous depressions was government spending. During World War II the USA's national debt soared to 120% of GDP – nearly twice the size of today’s US debt. The New Deal spending plan not only got them out of the Great Depression but set the stage for a prolonged period of sustained economic growth in the 50s and 60s. Massive investments were made in science and technology, American workers were re-trained and re-employed, private investment was encouraged, and consumer purchasing power was increased. That 25-year post-war economic boom, with the most rapid increase in living standards in our history, would not have happened without government stimulus.

There are plenty of excellent commentaries by celebrated economists such as the Noble Prize winner Paul Krugman of the New York Times and Martin Woolf of the Financial Times – hardly what you would call Left-wingers - who are able to debunk the myths you propagate. (See Appendix below). Some would argue that you should study their works. But I believe that you already know them; you instead choose to exploit people's ignorance with simplistic but powerful ideological mantras.

Disaster Capitalism Comes To Britain
So why, if you know that the way out of a recession is government spending, and that a scorched earth austerity policy will create a double-dip (now ensuing triple-dip) recession and massive unemployment, why did you go ahead with it? The answer is that you have used a crisis of capitalism to further your ideological agenda. You oppose the welfare state, and you have used this crisis to engineer popular consent for its dismantling. This is a perfect example of the historical technique of 'Disaster Capitalism” brilliantly analysed in Naomi Klein's The Shock Doctrine, arguing that sudden crises are intentionally manipulated to push through extreme free market policies that were otherwise not politically possible. In the name of promoting “freedom and democracy”, a shady partnership between the CIA and Chicago School Friedmanite economists succeeded in organising military coups to topple democratically elected, stable, popularly supported centre-Left Developmentalist governments in South America and beyond in order to strip the publicly owned and tax-payer funded assets so they could be sold to foreign multi-nationals at bargain prices. In this tsunami of Corporatism, worker's rights, minimum wage and labor laws were dismantled, dissenters rounded up, tortured and disappeared in their thousands, while a tiny few made a killing. The destruction it wreaked was huge, the economic, political and human costs were staggering but clearly quantified in Klein's forensic analysis.
Now, you guys won't get away with mass incarceration and torture, but you don't need to – the financial crisis was a massive blessing for you. The language of belt-tightening, the household budget analogy, 'clearing up Labour's mess','we're all in this together'; these have worked brilliantly in convincing the people that this is all necessary. And like the unreconstructed Marxists who insist that the Stalinist atrocities and poverty of the Soviet experiment can't be evidence against the feasibility of central planning because it wasn't 'true Communism', and the the Chicago School economists who explained away the chaos their policies created by saying that they were somehow thwarted from implementing the truly earth-scorching policies that would have resulted in their vindication, the triple-dip recession we are entering is just seen as evidence that we need yet more austerity. Like the scientists who held onto their theory of the non-existent Phlogiston in the face of the overwhelming evidence in favour of Oxygen through continual ad-hoc readjustments to their theory, where every piece of counter-evidence is selectively reinterpreted to fit with their convictions, your propaganda for re-election will be along the lines of “yes, it's tough, but we've got this far, it's not long now, you can't change the Commander in the middle of a war – stick with us and you'll see we're right – don't let Labour undo all the progress we've made”.

Divide & Conquer: Benefit Fraud Vs The Tax Gap
You believe in low taxes and looking after your own. You believe that the private sector will provide where the public sector is cut back, because that is what suits your economic interests. And if the private sector fails to provide the public services, for you that's just the free market indicating the such services are not required. And you've nothing to lose there anyway; you don't want those services and if you're stuck in a corner you can just blame the previous government. You have pioneered a divide and conquer strategy, turning working people against one another by smearing benefit claimants as scroungers whilst saying and doing nothing about the tax gap, even though benefit fraud is less than 1% of the tax gap – the £25 billion in tax lost through tax avoidance, £70 billion in tax evasion and £26 billion in tax uncollected. (And there is that £6 billion that you wrote off for your pals at Vodafone). In total that's £120 billion - more than three-quarters of the annual deficit. 

Housing Benefits: No Social Housing Means Taxpayers Subsidise The Rich
You propagate myths about housing benefit: that it is a benefit for the unemployed, when in fact only one in eight claimants is
out of work (not a statistic that you'll find reported in most newspapers). The majority of those who claim housing benefit, including the under-25s, do so to compensate for paltry wages and extortionate rents. And because Housing Benefits, fixed at 90's rent prices by the faceless Rent Service (to whom there is no appeal process) so rarely cover the rent, the meagre Jobseeker's Allowance has to make up the shortfall. (In my case the shortfall was £65 a month; my rent at a very modest £315 a month, Housing Benefit only covered £250 of it). And because there is so little social housing, these rents go to private landlords. Housing benefit subsidises the wealthy while propagating low wages. That's right; the people who clean your streets earn so little, and are charged so much for their rent, that housing benefit has to top it up, and in an obscenely unjust cycle, the money is syphoned back to the rich via the private rental market when it could and should be going towards public housing. You aim to cut housing benefits, with no plans to build more affordable public housing. You talk about 'making work pay' and 'incentivising work'. You do this by making sure benefits are in insufficient to survive on, instead of making the minimum wage a realistic living wage. You protect the right of banks to pay bankers whatever they need to get the best talent; you thus recognise that higher pay is the incentive to work. Therefore you must realise that people will only work if it is worth them doing so. For many with children, the cost of child care that full time work necessitates undercuts any increase in earnings. What is the point of working if working people do not have enough to live on? The only just way out of this is to increase the minimum wage to a realistic Living Wage. But you won't do this, because it is not in the interest of your class, your financiers, your family, friends, your rich constituents in safe Tory seats.

Bring Forth The Guillotine
And here is where you may well run into trouble. I hope it doesn't come to this, but it might. If enough people lose their jobs, and find themselves trying to survive on benefits, and when the cuts in public services really kick in this year of 2013, you may find yourselves on the wrong side of the argument. The divide and conquer strategy only works if the worse off are in a small, hopeless and disenfranchised minority. If things get bad enough it will engender solidarity. People will question not just the logic of austerity, but more importantly, the Right-wing hegemony. This hegemony has been carefully crafted over the last few decades, and since 2008 it has gone into overdrive. It consists of a raft of beliefs – that benefit claimants are scroungers, that the ill and disabled are faking it, that public workers are pampered whiners, that trade unions hold the country to ransom, that the 'undeserving poor' are taking us all for a ride. But for every alleged free-rider at the bottom of society, there is a free-rider at the top, born into wealth, creating no jobs, manufacturing nothing, simply moving money around and avoiding taxation. But we don't hear about them, because the largely Right-wing press is run by and funded by such people.

Here, for you, is the rub: for all your hatred of the welfare state, it may be the only thing keeping you from the guillotine. In A History Of Modern Britain, Andrew Marr suggests that the reason Britain is one of the few European countries to have avoided revolution is because the welfare state has buffered the worst injustices of capitalism. When there was a powerful Left, a Keynsian market strategy and a welfare state were the necessary table scraps that kept the people sufficiently placated. Indeed, that is why many on the far-Left were opposed to the welfare state; it prevents the exploited from fully realising their exploitation; it prevents them from becoming class conscious. It may do you well to consider if they are right. If you dismantle the welfare state, there may be nothing standing between you and the jobless, baying mob. 2013 may be your Poll Tax moment. Bring it on, I say.

Goodnight and sweet dreams boys.


Appendix
Addressing the ‘tax gap’ is a vital part of tackling the deficit. Figures produced for PCS by the Tax Justice Network show that £25 billion is lost annually in tax avoidance and a further £70 billion in tax evasion by large companies and wealthy individuals.
An additional £26 billion is going uncollected. Therefore PCS estimates the total annual tax gap at over £120 billion (more than three-quarters of the annual deficit!). It is not just PCS calculating this; leaked Treasury documents in 2006 estimated the tax gap at between £97 and £150 billion.


If we compare the PCS estimate of the tax gap with the DWP estimate of benefit fraud, we can see that benefit fraud is less than 1% of the total lost in the tax gap (see diagram above).

Sources:


Friday, December 28, 2012

Records I Have Enjoyed This Year



This list is not intended as a Best Of 2012, I've not listened to enough music to make any such claim, it's merely a survey of records I've enjoyed. There are many others released this year which are clearly excellent but I've not explored thoroughly enough to write about (Eamonn McGrath's Young Canadians and R.M. Hubbert's Thirteen Lost & Found being examples). Hopefully this list will make you want to explore further.

Sweet Lights – Sweet Lights
Technically sophisticated but entirely accessible, dozens of instantly memorable melodies make this feel like an album you've known your whole life. One of those 'songwriter's songwriters', Shai Halperin makes it all sound so easy, but it takes a peer and rival to fully appreciate why it's anything but. The album George Harrison never made.

Land Observations – Roman Roads IV-XI
This eight-part survey of ancient highways and byways is composed from the simplest ingredients; picked harmonics and looped guitar riffs evoke a sensation of internal travel, it's unusual in being an ambient record built around propulsive rhythms rather than drones and field recordings, tracing a map rather than capturing territory. A sonic gazetteer for the armchair navigator.

Warm Digits – Keep Warm With The Warm Digits
Rarely is a band so suited to their name; digital music served with the warmth and depth of mulled wine, this record is a playful sonic pillow fight.

Neil Halstead - Palindrome Hunches
Mainstream music journalism's obsession with 'authenticity' has resulted in a critical medium reaching a dead-end, a satellite orbiting a dying star, sending back increasingly absurd reports – the ascetic log cabin retreat and the 'primitive' recording equipment, the beard and the buffalo plaid; for many, such ludicrous framing devices seem to resonate louder than the music. Fortunately not all music writers are so easily hoodwinked, and not all record labels are so patronising. Neil Halstead has found a natural home at Nat Cramp's wonderfully understated Sonic Cathedral imprint. 'Palindrome Hunches' is Halstead's darkest solo album so far, but more importantly it's his most focused, his penchant for whimsy reined in and his plaintive melodies allowed to suspend in the air until they dissolve. While the fact remains that many artists write their strongest work under duress, albums like this don't need a back story.

Kuedo – Severant
Severant is on first blush a straightforward arranged marriage of Tangerine Dream synthtopia and cutting-edge footwork percussion, an album with each foot planted firmly in a different decade, but the melody lines are so strong and the sound-scapes so sweeping that the listener will find themselves asking more of it. What then emerges is a world where humans are long gone, each hi-hat tick is the footfall of an army of synthdroids terraforming a newly claimed planet, overseen by an infinitely wise and benign Philosopher-King supercomputer. Beautiful and unabashedly escapist, Severant is an intergalactic holiday brochure for wistful robots.

Burial - Street Halo EP / Kindred EP
Will Bevan made life difficult for himself in a way that Portishead did a decade before him. Creating an aesthetic so instantly influential it left them without room for manoeuvre, by the time Portishead got round to their second album, a thousand indie bands had pointlessly bolted a pair of turntables onto the side of the stage, and with the echoes of Dummy ringing endlessly in a hall of mirrors, Portishead's sound was no longer theirs. So they took their time, adapted and moved on. Both artists stand in a grand tradition of sonic pioneers weaving a noose to hang themselves with. My Bloody Valentine have yet to rise to their own challenge, The Stone Roses made a pig's ear of their's, but Bevan continues to hone his occult craft so elegantly that no-one has come close to cracking the code, and by releasing EPs instead of albums, he has avoided the issue, forcing people to appreciate his music outside of the arbitrary strictures of track counts, running times and size formats.

Emptyset – Medium

Put up microphones in an ancient building, record the sound of nothing, play it back through a P.A. in the same room, record the results. Repeat this process indefinitely. Will you capture the murmurs of ghosts? Definitely.

Happy New Year.

Wednesday, October 24, 2012

Circadian Video * Opening The Archives Of Demonology: Gravenhurst's Patented 'Subaquatron: Sonik Mysterie Kult' Bucket Brigade Analog Delay Pedal


Heigh ho – who is there? No-one but me my dears.
'Circadian' Video
Tremendously exciting news this week – my pal Sam Wisternoff (aka Anticon-signed Bristol drone troubadour SJ Esau) has given album opener 'Circadian' the video treatment it deserves. Featuring Vinka symbols invading internal organs, slow-mo lip-synching and self-generating crayon diagrams, with a cinematographic palette moving between the manufactured nostalgia of saturated Super 8 and scratchy 'found footage' VHS, a disorientating array of recurring images play out against a continually shifting background of psychedelic textures and stop-motion animations, mirroring the song's cyclical rhythms and ambiguous lyrics. This being the first time I've been personally involved in a music video from the outset, Sam and I spent a sunny afternoon in the St Werburgh's area of Bristol filming me suffocating myself with a bin liner, before police broke up the fun following a phone call from a concerned resident. Most of those scenes would have been too unpleasant to use were we not able to offset the atmosphere of misery with footage of a man dropping his car keys into a hat.
Watch the video for 'Circadian' here
Friends in Germany, you can watch the video here
Sonic Cathedral 'Celebrity Pedalboard'
Nat Cramp at Sonic Cathedral invited me to contribute to their 'Celebrity Pedalboard' page, divulging the secrets of my patented 'Subaquatron' Bucket Brigade Delay Pedal. Join the Sonik Mysterie Kult here
Merrie Beltane,
Nicodemus & Pliers

Sunday, October 14, 2012

Gravenhurst Show at Init for the Roma Ultrasuoni Festival : A Statement

The show at Init for the Roma Ultrasuoni  festival was ruined for us and the audience because  of circumstances completely beyond our control. I hesitate to point the finger of blame at people  publicly but in this situation I have no choice  because we are absolutely furious about this and it needs to be made clear that the chaos was  not our fault. We drove for eight hours to play at  this festival and were met with a completely  shambolic set up and incompetent staff. The sound  check was totally pointless as the engineers clearly  had no idea what they were doing, and we stood on  the stage for an hour while they milled around  slowly plugging and unplugging things, then they cut  us short before we could finish, saying we had run out of time. We then went off  for our dinner, which was served to us cold,  and we  were given only water to drink. Cold food and water  after an eight hour drive, nice hospitality; while  all around us the public were being served hot food  and drinks. So contrary to what we were being told, the kitchens were open, but just not for  the artists. Still, we were determined to play a  good show. When we got on stage we could not hear  our voices. We were singing 'deaf'. You know the way  deaf people sound when they talk? They sound like that because they cannot hear their voices. That was  the situation we were in onstage. Try singing like that - you won't sound good. We are not a  difficult band to engineer. All we need is to be able to hear our own voices in our monitors, Rachel needs to hear her synth and  Claire needs to hear my guitar. That's it. That's  all there is to it. Instead, Rachel and Claire's  voices were coming through my monitor, while my voice was not in any of the monitors. We struggled  through the first two songs, continually telling the  engineer of our monitoring problems, to no avail. Then in 'Saints'  my microphone dropped out completely, so the audience could not hear my voice either. The staff  scrambled around trying to sort it out;  it  transpired that Rachel's monitor wasn't even plugged  in. If you know anything about sound engineering or  performing you will be sympathetic to our plight -  the onstage sound was a complete nightmare.  Eventually I tired of telling the engineer where to  put our voices and simply walked across the stage  and switched my microphone with Rachel's, a coarse but completely essential intervention, thus solving a problem that should have been done at the  sound desk at the beginning. We were then told we had to play our last song, so we played ' 'Black Holes In the Sand' as well as we possibly could in the circumstances. Anyone who has seen Gravenhurst live  will attest that we are a professional band that  knows how to play live. I've played live for fifteen  years, hundreds and hundreds of shows all over the  world, and i've never come across a situation like  this - total incompetence. Between us, Claire, Rachel and I have played over a thousand gigs. We are good at our job -  the people running this stage were not. It was a humiliating waste of time for us and our audience.  We are sorry for the fans who were looking forward  to the show. We will play Roma again, and we will  ensure we play in a professional venue suited to professional musicians.

Wednesday, September 12, 2012

The Quietus Presents: The Jovian Bow Shock Prize 2012



Sod the Mercury! It genuinely makes me feel much prouder that Gravenhurst has been nominated by The Quietus for The Jovian Bow Shock Prize 2012. A fascinating and downright educational list. Thank you Mr. Doran et al.  http://thequietus.com/articles/10003-jovian-bow-shock-award-2012

Tuesday, September 04, 2012

Exit Through The (Insert Pun Here) or The Problem With Banksy


The Fighting Téméraire Tugged to Its Last Berth to be Broken Up, 1838 Joseph Turner

I read on an internet forum that it has become fashionable to knock Banksy; this is confusing, because I was under the impression it was fashionable to like him; I just can't keep up. But either way I'm sure that one's opinion of Banksy can be informed by something more than social trends. There is an argument to be had.

Banksy's failure as an artist serves as an object lesson in art theory. Aesthetics 1.0 “When Art Fails”. If visual art does anything more than look appealing, it suggests the possibility of a non-semantic form of communication; the conveying of meaning without words. In other words, bad art is easily described, good art isn't. No matter what I tell you about Joseph Turner's depiction of boats docking on the Thames, no matter how sophisticated my description of his extraordinary renderings of colour, or how nuanced my meditation on the reflections of light bursts on the ships beams, no words can put anything like it into your mind if you haven't seen it yourself. I may as well be describing custard. But if I describe a trail of white paint around the floor of a gallery, at the end of which crouches a policeman with a rolled up banknote, you don't need to see this staggering achievement of art-as-polemic. And if I say “you know that famous photo of a rioter throwing a molotov cocktail, right? Well, Banksy has done that, right, except they are throwing a bunch of flowers” you can save yourself the cost of a train fare to Bristol, or wherever. Banksy trades in feeble pictorial metaphors conveying nothing that could not be conveyed in words alone. The great mystery at the heart of visual art, the very reason why it is said that writing about art is like dancing about architecture, is missing in his work. He can be explained, decoded, reduced. With great art we say “well you really have to see it”, with Banksy you just don't.
But many would argue that this is irrelevant, that Banksy isn't an artist, but a satirist or prankster, and should thus be judged not on the content of his work but on the effect it has had. Alas, this leaves him on even shakier ground. A Banksy exhibition brought a lot of visitors and money to Bristol in 2009. “Do you agree with his anti-capitalist political message?” asked a BBC reporter of a woman queueing for the gift shop. “Oh no, not really..” she replied. “So what brought you here today?” “Oh well, you've gotta have your Banksy posters haven't you?”. This airy, wholesale acceptance of his work has brought him to my very front door; the block of flats over the road has a wing named in his honour. The Cedars, The Gantry, The Banksy. I live in an area with a tradition of naming roads after local heroes; the physics genius Paul Dirac; the cricketing legend Arthur Milton. Banksy's enrolment into this particular hall of fame demonstrates how far he stands from where the satirist defence would have him be. Banksy is no outsider, no enfant terrible straddling the line between crime and art. He has more in common with Stephen Fry than Chris Morris. He's become a National Treasure. 'Banksy = Sell Out' – you see that sprayed around Bristol. He left himself vulnerable to such accusations by buying so heavily into a political platform of simplistic anti-capitalism. It takes a nimbler mind than his to successfully navigate fame and fortune with outlaw credibility intact.
Ultimately Banksy has failed in that he fails to upset anyone. The properties he graffitied quadrupled in value, so the most transgressive aspect of his work, the act of vandalism, is rendered toothless. Which leaves only the conceptual content: cheap visual puns. If these vague, witless jabs at free-market capitalism and the police state count as satire, if satire can be so toothless and whimsical, then that is worrying, because it means you have to do very little to be taken seriously. In a world where the encroaching police state and rampant buccaneer capitalism are truly frightening things, and the jaded acceptance of them as social norms, or worse, as natural states may end up destroying much of what is good about civilisation, I'd like to think there are heavier weights fighting our corner.

Friday, August 03, 2012

Intellectual Comforts and Ethical Cop-Outs: The Libertarian Mindset



If Only!

It's Hip! It's Cool! It's Libertarianism! By Connor Kilpatrick at Exiled is dead on target and vital in this climate; the US Right has been pushing libertarianism not just as a political philosophy but as an entire lifestyle choice complete with an intellectual smugness that says "you see, liberals mistake politics for a binary issue, of Left versus Right, but in fact libertarianism is the only consistent program for real freedom, and cuts across that tired old dichotomy" with added pseud-points for the words 'binary' and 'dichotomy'. It appeals particularly to net-savvy male college graduates who have been raised in a socially liberal environment, being pro choice, down with human rights, cool on sexual equality etc - basically all the things most people now believe anyway- but don't want to have to contribute economically to society in any way. Like Kilpatrick says, when people start bandying around the word 'freedom', we need to ask "freedom for whom to do what?".

Isaiah Berlin made a crucial distinction between negative and positive freedom; respectively, freedom from constraint, and freedom to flourish and realise your potential. Libertarians believe governments should only protect the former, and that any attempts by governments to promote the latter always results in totalitarianism, like here in Britain, and in America, which Kilpatrick notes, suffers the tyrannies of child labor laws, the Civil Rights act, federal income tax, minimum wage laws, Social Security, Medicare, and food safety. Given that we can point out such instances of government intervention successfully expanding people's positive freedom, the onus is on libertarians to show how it results in tyranny, when all around us we can see that manifestly not happening.

The recent rise of libertarianism has seen young high achievers picking a political tribe that reflects their social values but hawkishly protects their economic interests, and, crucially, allows them the luxury of a consistent theoretical superstructure that can defend these values and interests and provide simple answers to social problems. It appeals to smart successful people because they do think things through, and so are liable to be plagued by the dilemmas that the world's problems throw up. Unlike traditional conservatives, they can't just ignore them or believe God moves in mysterious ways; they need some way of settling these nagging issues - and libertarianism does the job wonderfully; it answers all the questions systematically by reference to a simple and consistent theoretical framework. You pop the problem question in one end and the machine relates the problem to the value system and provides an answer -an answer guaranteed to come with no price tag. And all of a sudden it's a very easy world to navigate, because you simply wipe away any questions of social justice, inequality, class, social mobility, social closure, ingrained poverty; anything that requires any kind of government intervention. Any such questions are null and void because government intervention is Wrong In Itself, because it contravenes their one-dimensional conception of freedom. Libertarianism permits black and white thinking, and is very satisfying to someone who would rather get on with being successful and not have to feel bad about inequality. I myself have tasted the allure of the libertarian mindset, and it sure is tasty. Libertarianism is basically consistent; starting from such simple principles it's not difficult to be, and that consistency is very appealing. But just because something is consistent doesn't make it true, helpful, useful, practical or ethical. And a purely negative conception of freedom is none of those things. It's a cop-out.

Robert Nozick, who held a God-like status amongst libertarians, having written the fearsome tome 'Anarchy, State and Utopia', the libertarian bible with its declaration that taxation is akin to slavery, in the last decade of his life pretty much reneged on it, basically saying it was all horseshit and John Rawls was right.

For more on the ethical poverty of libertarianism, read this

Thanks to Brother Sean and Alex B.P. for their input on this piece.

For some light relief: this fun, informative and surprisingly plausible Dubstep Family Tree from Mixmag!

Update: I've finally updated the blogroll on the right; if you think you should be up there and you're not, or you've moved your site or something, let me know and i'll add it or update it. If you have an interesting blog or site and think you should be up there, get in  touch. It's a bit random; for instance there are loads of good political blogs but listing all of them would take ages, and many of them are well known, so I just include ones I've had some kind of connection with. All the blogs on the right are interesting and well-written.

Monday, July 23, 2012

The driving force behind the encroaching police state is political ambition

The future will not be this cool

"We've now discovered that within the next year or so the US department of homeland security plans to deploy a new laser-based molecular scanner fired from 50 metres away which will instantly reveal an astonishing level of detail not only about your body, clothes and luggage but also about the contents of your wallet and even of your intestines. It's claimed that the technology can identify traces of drugs on banknotes, gunpowder on your clothes and even what you had for breakfast, the adrenaline level in your body and substances in your urine. And all of this information can be collected without even touching you – and without your knowledge....although the first deployments of the technology will be in airports, it will only be a matter of time until it is in police cars" Read more from Guardian.co.uk

"You will be sent to jail for refusing to give up encryption keys, regardless of whether you have them or not. Five years of jail if it’s a terrorism investigation (or child porn, apparently), two years otherwise. It’s fascinating – there are four excuses that keep coming back for every single dismantling of democracy. It’s terrorism, child porn, file sharing, and organized crime. You cannot fight these by dismantling civil liberties – they’re just used as convenient excuses. But it’s worse than that. Much worse. You’re not juzt going to be sent to jail for refusal to give up encryption keys. You’re going to be sent to jail for an inability to unlock something that the police think is encrypted. Yes, this is where the hairs rise on our arms: if you have a recorded file with radio noise from the local telescope that you use for generation of random numbers, and the police asks you to produce the decryption key to show them the three documents inside the encrypted container that your radio noise looks like, you will be sent to jail for up to five years for your inability to produce the imagined documents." Read more from Falkvinge.net

Another day, another erosion of civil liberties. This is not the hysterical reaction of an uptight libertarian. It is reality. The perceived threat of terrorism is used to defend any kind of new law. How far should we go to make people safe from danger? If we want to make a person completely safe, we can lock them in a heavily fortified nuclear bunker with enough food, water, oxygen and medical supplies to last a lifetime. They will be completely safe from the dangers posed by others. But they will not be safe from the madness of cabin fever and the humiliation of constraint. They will have no meaningful existence. This little thought experiment obviously shows us that safety must somehow be balanced with liberty. But governments don't care for philosophical arguments. The real reason that they exploit every possible technology and pass every law that proposes to make us safe from terrorism is not primarily because they want to make us safe. They don't sit there weighing the benefits of safety against the erosion of civil liberties. Their chief consideration is safeguarding their own public image. Governments are paranoid about being accused of failing to defend the public against a terrorist attack. They are not paranoid about being accused of failing to protect our civil liberties, because only a small minority of people make any noise about this. So the march towards a police state goes on, powered by political ambition, self-preservation and moral cowardice.

I applauded David Davis for resigning from the shadow cabinet in 2008 in order to force a by-election in his seat, for which he won re-election ostensibly by mounting a specific campaign designed to provoke wider public debate about the erosion of civil liberties. Whether he was re-elected by people who care about civil liberties or simply by Tory voters in a safe Tory seat is unknown. Cynics argue that this was a stunt to increase public exposure, Davis playing the long game, an eye on the Tory crown. There is a similar question of whether the proposed ID cards scheme was jettisoned as a requirement of the Lib Dems coalition pact with the Tories, or just because it was proving to be too costly. But I'm inclined to believe Davis. He is a Right-wing Tory with whom I share few political convictions but there has always been a strain of consistent libertarians in the Tory party who care about big government snooping and civil liberties as much as they do about free trade and low taxes, and Davis belongs in this tradition. It's a remote but precious patch of common ground that those of us on the libertarian Left share with the libertarian Right. We castigate them for failing to recognise the oppresive nature of buccaneer capitalism (although avowedly conservative commentators Peter Oborne, Charles Moore and others have recently made surprisingly sympathetic noises in this regard) but we must applaud them for their willingness to confront the encroaching police state. We are the most surveilled people in the world, with more CCTV cameras per person than any other country. The right to peaceful protest, the right to remain silent, the right to free expression -these and many others have been stamped on over the last two decades, and there seems to be nothing we can do about it. Now that the right to protest has been curtailed -all in the name of security- we can't even protest against it. My fears for the future of my country are not dystopian pipe dreams. They are plausible outcomes of processes that are already in action. The political class has a systemic fear of accusations of failing to protect the public from terrorism. Such accusations can lose them elections. Being perceived to have lost control of the streets is a definitive vote loser. They will do absolutely anything to safeguard against this. They are not protecting us, they are protecting themselves.