Music: Talk Talk - Spirit of Eden
I've been finding pool to be an uncommonly good way to relax and enjoy the convivial company of friends. It also stops me thinking about flaying people alive.
The pub next door to me is relaxed and friendly, but the pool table is shit and the drinks expensive. The jukebox is alright. The other day I watched a man fall off his stool and piss himself. This man was the publican. He disappeared into the toilet for a long time, and then we had to leave as the stench of shit was overwhelming.
The Elbow Rooms on Park Street has good tables but they are too close to the walls. It is also expensive, pretentious and thus turns my thoughts back to flaying people alive.
Riley's Snooker Club on the Triangle has professional tables. I am unsure of the prices, but I am aware that they play pop music at quite loud volumes. I was listening to pop when I flayed that social worker, so I am of the understanding that it is best for me to avoid pop.
From forum thread - "Recording Live - Which Approach is Best?"
It is my view that the live approach is over-used, and received without argument.
Surely the most authentic way to record your songs is to DI everything into a PC, then put the parts into a wave to MIDI convertor program. You will then have MIDI files of the separate tracks. Next, buy a really big multitimbral MIDI Workstation keyboard, like a Korg Triton or something. It doesn't matter what the make is, just make sure it's really big. Program your MIDI files into, and arrange the parts using General MIDI sounds. GM sounds have been selected and calibrated to enable the listener to hear every nuance of the arrangement. Next, mix it down with plenty of digital chorus and flange. Maybe go for some sort of Aural Exciter and Vocoder on the vocal. If the drums still sound too 'roomy' and 'live', try compressing them more, then gate them or edit out all the decay.
When your track is finished, send it to Future Music for a review. Put some fractals on the cover or something.